The etchings of the Miserere represent a continuation of the style which the artist practiced before World War I, but with certain modifications. The theme focuses more on the sufferings of humanity rather than the horror of the world. The impulse is pity more than condemnation. The sufferings of Christ are interwoven with those of man, often in explicit juxtaposition. Rouault wrote out titles by hand so they could be reproduced under each plate.